But this time around, BROCKHAMPTON brought a few friends outside of their crew along for the ride. The album itself is soaked in the kind of gritty percussion and verbal intensity synonymous with hip-hop. On ROADRUNNER, BROCKHAMPTON don’t try to reinvent the wheel as much as they pay homage to it. Jade GomezīROCKHAMPTON: ROADRUNNER: NEW LIGHT, NEW MACHINE The chemistry between James and Alchemist becomes stronger with each release as the two bring out the best in each other to create love letters to a time in hip-hop that is seeing its resurgence. His menacing bars open themselves up more with each listen to reveal a vivid portrait of street braggadocio painted with care. Alongside The Alchemist, a living legend in the genre, James’ lackadaisical delivery over the stripped-down boom-bap beats position him side by side with the main players in the golden age of rap. Jade Gomezīoldy James and The Alchemist: Bo Jacksonĭetroit rapper Boldy James has gone from underground sensation to mainstream success following the steady rise of Griselda Records as one of rap’s most exciting collectives. Fat Joe, French Montana, Jim Jones and even the deceased Chinx are shining stars, helping solidify Benny’s ascension to one of rap’s most brilliant figures as he revitalizes the image of New York, immortalized in the works of the city’s legends. Fraud’s red carpet production serves as a backdrop for a lush, visceral portrait of trapping at its finest. In a rare instance of the mixtape sequel holding up to the original, the dynamic duo of Griselda’s Benny the Butcher and legendary producer Harry Fraud released The Plugs I Met 2, a feature-laden display of New York rap at its most rugged. Jade Gomezīenny the Butcher & Harry Fraud: The Plugs I Met 2 In the midst of her lush wall of sound is an attempt to make sense of who she is, why she is here and other philosophical questions that rest within the crevices of our psyches that she dares to explore. (who contribute production to “Blood in the Water”) and Danny Brown. Her new album I Lie Here Buried with My Rings and My Dresses, released June 20, expands upon her chaotic blend of heavy metal, punk and hip-hop that pays homage to horrorcore pioneers such as Three 6 Mafia and Esham, as well as her modern-day inspirations such as clipping. Jade Gomezīackxwash: I Lie Here Buried With My Rings and My Dressesīackxwash, noted for her groundbreaking 2020 album God Has Nothing to Do with This Leave Him Out of It, which won the 2020 Polaris Music Prize, can capture the ears of even the most metal-averse listener. With a keen ear for melodies that can live both on TikTok and party playlists, charming lyrics (such as the very honest “I need a girlfriend” on “range brothers”), and a fine grasp of the delicate balance between the intimate and the surface-level, Baby Keem has laid out an exciting groundwork for a career marked by longevity and experimentation without losing sight of a larger pop audience. Following 2019’s infectious Die For My Bitch, Keem finally offered his breathtaking full-length debut The Melodic Blue in 2021. Jade GomezĪt only 21 years old, Baby Keem is one of rap’s brightest. They have struck the perfect balance for an accessible Armand Hammer album without sacrificing the resonance of their message. The paranoia never comes off as being wrapped in tinfoil, nor does the cultural analysis feel condescending. Their new album Haram, produced by The Alchemist, is a disturbing and stunning thesis on irony and the failures of the big dogs. ELUCID and billy woods, aka Armand Hammer, are a dynamic duo, capable of digging a knife into any subject they want and twisting it, capturing the pain and grotesque fascination with how it got to that point.
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